05 / Content and digital stage design

Content that fills the room.

Project
Eurovision Stage Design
Discipline
Content and digital stage design
Category
Content
A production view of the stage with a camera crane and turquoise screens

Overview

Image, rhythm and space working together.

One gesture carried across screens, floor and backdrop.

01

The arena becomes a street

Illuminated façades, a pavaljun for a proscenium and marquee light tracing every edge: not a set dressed with references, but a locality rebuilt indoors for a single night.

A render of the Junior Eurovision 2026 stage dressed as a festa street

Junior Eurovision 2026 · Malta

From a street in Malta to the stage.

The content for the show was never invented from nothing. It started in the street, as a photograph, and reached the arena in five steps.

  1. 01 · 02

    Photograph it. Rebuild it in paper.

    Every scene begins with a real festa: the pavaljuni over a street, the bells, the band, the fireworks over the harbour. Each photograph is rebuilt as a cut-paper model that keeps its exact composition, then set in motion.

    Drag across the picture to compare.

    Reference photograph: Pavaljuni and garlands over a crowded festa street, beside the paper model rebuilt from it
  2. 03

    Wrap the stage in the same street.

    The houses come with it. Balconies, doorways and the filigree of the decorations are modelled and wrapped onto the set, so the arena reads as one festa street lit for the night.

    • Three Maltese balconies, lit, on the stage wall
      Balconies
    • Arched doorways in green, blue and red along the stage
      Doorways
    • A painted filigree flourish beside a balcony
      Filigree
  3. 04

    Map it to every screen.

    Each musical act is played out as a pixel map: every LED surface of the set laid flat on one canvas, each shape a screen, all of them lit in time with the music. The street from the photograph becomes a show: the houses light up for the festa, spell out the words of the song, and turn to dusk.

    Choose an act.

  4. 05

    Then choose the camera.

    With the set built, the shots are chosen before a light is hung: wide for the room, the crane for the crowd, close on the arch, low across the floor.

    Pick a camera to cut to it.

Showreel · Act 1 · 50 seconds

The street behind the screen.

The whole making of Act 1 in one film: the model, the build, the light, the character, the score and the show.

The software screens are reconstructions made with the real project files; the arena shots are approval animations, and the Junior Eurovision logo is the official animation.

Made with our own production pipeline: image, 3D and video tools working together through MCP, from the first photograph to the final shot. The street photographs are references of Maltese festas; the paper models and stage renders are ours.

An orange painted path sweeping across a cream stage floor
An orange ribbon lifting off the floor toward a performer
A visual gesture across the stage.
Performers and a ribbon of colour across the floor and vertical screens
The whole stage with streetscape screens and a ring of performers
A close foreground ribbon beside an upright screen
An overhead view of a spiral floor graphic with performers around it
Overhead visual study.
A production-side view with crane, screens and dancers
The orange gesture spanning the space beyond a production desk
The ribbon in front of an architectural screen backdrop
The full stage system: screens, floor graphic and performers
A bold orange sweep close to the viewer with the stage beyond

After Eurovision Stage Design

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